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Sometimes you can almost smell the popcorn in your cinema seat when playing some of the presets. In addition, I discovered a couple of instruments that NI released in the last two years that I hadn’t had the time to play with. Besides the high quality of every instrument, the added macro controls, sequencers, and randomized and play engines present additional possibilities to change the sound of each preset.Īs a fan of the Nils-Frahm-supported piano library “Noire, my favorites in Komplete 14 were Piano Colours, Ashlight, Playbox, and the “40s Very Own” series. A huge variety of string instruments and full-on orchestras is there, a couple of sampled choirs, plenty of piano sounds and drones of just about any sonic variety. For those of us who compose for film and games, who produce pop music or Hip Hop beats or like it a bit more experimental, Kontakt 7 is the perfect playground.
Now improvement, but also, luckily, no glitches or hiccups that I can report. Every instrument made for Kontakt 6 still works in the new version, and they all still look the same. The older view is still there, however, if you fancy the browser in the left side and the instrument on the right side.īesides the new, scalable browser not much has changed in Kontakt 7. Also, pres-listening to any instruments can be a pretty significant timesaver, depending on how fast your system is. The new browser makes going through NI’s vast catalogue of sampled instruments such a breeze. Equally, Ozone 10 has received its own recent review on Gearnews and the plugins from Brainworx are probably well-known enough already. Outside of Kontakt 7 and the newly added expansions, none of NI’s old suite of instruments deserves a closer look as nothing has been added or changed. Review: How does Komplete 14 fit into my production workflow?
NI has added two effects from Guitar Rig 6 (Psyche Delay and Ring Modulator) and has changed the look of the modulation menus. Under the hood, pretty much everything remains the same. The search function has been improved, making the discovery of new sounds and instruments through a tag-based approach much easier. In addition, it is now possible to pre-listen within the browser to just about every preset and sound from any Kontakt instrument, just like it has been possible in Komplete Kontrol. The new version is HiDPI-compatible, making it finally scalable on 4k monitors. NI’s big sampler Kontakt has received a significant facelift for its instruments browser. And sadly, the experimental synth Absynth 5 is no longer part of the bundle (here is a statement by its original developer Brain Clevinger).Īmong the included expansions and Kontakt instruments are Choir:Omnia, Lores, Ashlight, Piano Colors, Playbox, Play Series, Neo Boogie, Soul Sessions, Action Strings 2, Sequis, Session Guitarist (Electric Mint, Picked Nylon), Session Bassist Prime Bass and ten soundpacks for Massive X.
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However, none of these received any kind of update along with Komplete 14. Battery 4, Massive, Massive X, FM8 and Reaktor as well as many of the older instruments for Kontakt and Reaktor are still here.
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Of course, most of the usual suspects of NI’s popular software instruments are still part of the bundle. In total, Native Instruments has added as many as fifty new products to Komplete 14, besides the additions from its Soundewide partners. Also included in the Collector’s Edition is the new sampled choir instrument Choir:Omnia.
Kontakt 7 also brings an updated version of its sound library Kontakt Factory Library 2. The star of Komplete 14 is the new version of its flagship sampler, Kontakt 7. After registering your copy of Komplete 14, you’ll receive no less than 14 emails with instructions for each non-NI product! What’s new in Komplete 14? In order to authorize the additional plugins from iZotope and Brainworx, make sure to watch your inbox.
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The setup on my Mac Studio went smoothly and without any hiccups.
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